Andes Echo

Echo should be rhythmic, warm and full of groove. Andes Echo is a unique delay plugin built around Latin rhythmic patterns, with dual low-pass filters and rich saturation that add depth and character to every echo. It replaces the usual 1/4, 1/8, and 1/16 settings with rhythmic styles inspired by the Andes and beyond—galloping patterns, syncopated grooves, and Latin-infused saltillo and saltillo inverso feels. Dual low-pass filters with built-in saturation add character, while a lush integrated chorus brings extra width and movement. From intricate drum breaks and expressive guitar arrangements to evolving synth arpeggiators, bold vocal delays, and percussive samples, Andes Echo transforms ordinary sounds into dynamic textures full of life and soul in seconds. Features 01 Rhythm Delay times borrowed from South American music Instead of quarter notes and eighths, Andes Echo draws its repeats from rhythmic figures rooted in South American tradition — Syncopation, Scotch Snap, Gallop, Triplet and more. Each figure lands the echo in a different place within the beat, giving you a rhythmic vocabulary a standard delay simply doesn’t have. 10 rhythmic figures per channel, from Syncopation to Whole Note Independent Left and Right rhythm selectors Delay Length from 1/16 to 1/2, synced to host BPM 02 Feedback From a single slap to infinite loops Feedback shapes how many repeats you hear before the signal fades — or whether it fades at all. Push each channel independently for asymmetric decay, or drive it to maximum to lock the repeat in place and turn the channel into a looper. Independent L and R feedback control Self-oscillation at extreme settings Maxed feedback turns either channel into a looper 03 Low-Pass Filter & Chorus Darken the repeats, widen the stereo image A per-channel Low-Pass Filter tucks the repeats behind the dry signal, keeping dense mixes clear. A built-in chorus stage — modulating delay time with a triangular LFO, the same principle behind the Roland CE-1 — adds pitch movement and width to the trail. Independent L and R low-pass filtering Three chorus settings: Off, Light and Deep CE-1-style triangular LFO modulation 04 Routing & Global Controls Link, Dry Wet, Bypass Left and right channels run fully independently for polyrhythmic textures, or link them for unified stereo control. A global Dry/Wet and on/off bypass make Andes Echo just as at home as a subtle rhythmic texture or a fully wet, self-oscillating instrument. Link L-R for unified stereo control Global Dry/Wet, 0–100% True bypass on/off product-show-sections#toggle” aria-label=”Toggle testimonials” > Testimonials div]:shrink-0 overflow-x-scroll [scrollbar-width:none] snap-x snap-mandatory [&>div]:snap-start [&>div]:snap-always h-[323px] sm:gap-y-4 sm:grid-cols-3 sm:grid sm:overflow-x-visible sm:snap-none sm:snap-normal sm:h-auto” data-product-tile-carousel-target=”tilesContainer” data-action=”touchstart->product-tile-carousel#startTouch touchend->product-tile-carousel#endTouch touchcancel->product-tile-carousel#cancelTouch” > Emme Moises Composer, live performer and DJ “Very interesting plugin with a minimalist and practical design. The polyrhythms and ability to filter both left and right individually is what got me completely hooked. Good sound, easy to use, infinite possibilities! Using it on my upcoming dub techno productions.” Alejandro González Vargas Sound Engineer and Music Producer “It’s fascinating to have a delay with the possibility of repeating in quarter note and eighth note triplet derivatives, plus with independent L and R. More than a delay, it’s a sound designer, it becomes another instrument.” Yumi Iwaki Electronic sound artist and lyricist “The Andes Echo allows you to fine-tune the left and right rhythms, feedback, delay time, and even the low-pass filter in a way that feels both rhythmic and musical. The result is a wonderfully satisfying stereo delay with rippling, grain-like textures. I really loved it — it made me want to open my DA