Analog Power Bundle interface

Analog Power Bundle

Tone Empire

At a Glance

PlatformWiN
Available on Windows desktop.

Analog Power Bundle Get the power and sound of our most revered and top-selling plugins at a great price—top-quality emulations of sought-after tube EQs, channel strips, and drum smashers all in one box. Whether you’re a seasoned pro or a beginner, these plugins are all you need to track, mix and master your music. Easy to use and intuitive, This bundle gets you the professional touch that all producers and engineers seek with real outboard racks of gear. Saturation / Dynamics / EQ Goliath V2 features 4 analogue modelled processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analogue” sounding tool. Be prepared to be pleasantly surprised! Features ALLOY – This is an analogue processing chain featuring the famous British 1081 sound which has characteristics of its transformer made of Nickel, Iron, Steel. This gives you a taste of that clean silky analogue processing. TUBE – The Tube chain is modelled using a modern/ classic valve processing chain with an AIR circuit. An immediately pleasing sound that will bring 2nd order harmonics to your material. TAPE – Here Tone Empire have used the ATR – 700 Tape Recorder at 15ips to capture that warmth and compression of Tape. Immediately hear your transients being “warmed” up and also get third-order harmonic saturation. VINYL – This one features an analogue mastering chain going to a Neumann vinyl cutting machine and multiple IRs sampled from the dubplate. Finally, get your record to sound like a “Record”! DRIVE Control – This controls lets you “drive” the analogue chain selected for its respective saturation characteristics. The levels remain the same, hence there will be no need to keep reaching for that output control. Go from a light touch of the analogue chain to full-on driven saturation by hitting the signal hard. Env-EQ MIX – Use this control to dial back the amount of Envelope and EQ used by parallel mixing in the signal from the analogue chain before the Env-EQ sections. This acts as a kind of dry/wet control for the ENV-EQ. OUTPUT Control – This lets you control the gain of the final output of the processing from -inf to +10 DB. It’s helpful when compressing a lot and you need a signal boost at the end, or for cutting back the levels. ON/OFF Switch – Engage or bypass the Envelope Section. ON/OFF Switch – Engage or bypass the EQ section. This Section features a 3 band EQ and a low cut filter. Learn more about Goliath V2 . Loc-Ness V3 is the ultimate smash box — combining 4 analog-modeled saturation circuits, parallel compression/limiting, and surgical pre/post filtering into one devastating processor. Inspired by a legendary vintage broadcast limiter but far more controllable and musical. From subtle harmonic warmth to full-on sonic destruction — on drum rooms, guitars, breakbeats, synths, and anything you throw at it. All-In-One Processing Saturation, compression, and filtering — everything you need to crush, smash, and shape any source Features Autogain: Automatic level compensation keeps your output in check as you push Crust and Smash harder. A/B Compare: Instantly compare two settings with built-in A/B comparison. Never second-guess your sound. Undo / Redo: Full undo and redo history. Experiment freely and step back to any previous state. 50+ Factory Presets: Get started instantly with 50+ professionally crafted presets. Save your own and mark favorites. 3 Activations: Use on up to 3 machines simultaneously. Studio, laptop, and home. Up to 8x Oversampling: Clean, alias-free saturation with oversampling options up to 8x for pristine analog character. Learn more about Loc-Ness V3 . What’s new in BLACK Q – Version 2? A new and improved version of Black Q. V2 now features overlapping bands and new frequency ranges as well as oversampling for more “analog” behaviour. The philosophy behind Smooth Tube EQ Tone Empire are obsessed with “Sound”